Going Boldly Pt 12 (Star Trek Into Darkness, 2013)

ST_Into_Darkness_PosterAfter a pretty successful first outing, the whole team came back. So, my hopes were riding high for another exciting Star Trek film.

But early on I saw a danger sign. They were basically doing a Man of Steel. It was clear that they were going to use Khan.  The film makers denied this aggressively, especially after Benicio Del Toro left and was replaced by Benedict Cumberbatch.

When the film begins, it starts out okay, I guess…I mean, they still have not started their five year mission yet, and I have no idea why this could not have been set within that…but Kirk and crew save a primitive civilization from extinction and this gets Kirk demoted. But when a terrorist named John Harrison attacks Star Fleet headquarters killing Captain Pike, the Enterprise crew is sent to kill Harrison on the command of Admiral Marcus.

When they find Harrison, Kirk gives into his conscience and takes Harrison Prisoner.  As they speak with him, they discover is is actually leader of a genetic super community.  His advanced intellect is being used by dark areas of the Federation called Section 31…this knowledge puts the Enterprise in danger and they must work with Khan.

Clearly, Abrams, Orci and Kurtzman thought using Khan would excite fans, after all, we all loved Wrath of Khan, right?

Except, Khan and his vengeance had tremendous weight because Kirk and Khan had a history dating back to the original series.  This creates a tension that this film cannot recreate, quite simply because they do not know who Khan is. In fact, they have to reach out to Old Spock to have him give the rundown, because Khan is not even famous historically here.

They also try and flip the Wrath of Khan’s ending by having Kirk Sacrifice himself and send Spock to capture Khan.  Except, when Spock gave his life in the Wrath of Khan, it hit the viewer. We were losing a friend for the good of the many. And here? Kirk is barely dead two minutes and we find out they can resurrect him…and they do…we never get to feel worry or loss for Kirk…he was never in danger.

This film is just lacking the emotional resonance that it is attempting to duplicate. It is an empty and uninspired adventure.

Boldly Going Pt 11 (Star Trek, 2009)

ST_Kelvin_2009_PosterIt is often not really a great sign when a franchise seems to go dormant. After the struggle at the box office with Nemesis and a large amount of negative fan reaction, Paramount’s Star Trek team started trying to figure out new ideas, most which put the Next Generation Crew out to pasture.

Eventually, they opted to focus more on the Television side while they tried to crack a new approach.  And then they reached out to J.J. Abrams. He and his team came up with an idea… what if we went back to the beginning? What if we go back and meet the Enterprise crew all over again? Captain Kirk? Mr. Spock?

This seemed like a risky proposition…the original cast was tied to those characters and the idea of bringing new actors in to give the crew new life and adventures had a huge chance of going wrong.

Abrams chose to go back to the start of the series…but with a twist.  On the day James T Kirk is born, his father sacrifices himself as a Romulan ship appears from a black hole. In the original series, Kirk grew up with his father…and with this change Kirk grows into a rebellious and responsibility avoiding lout. But one night in a bar, he meets Cadet Urhura- and ends up in a fight with several of her fellow cadets. The fight is ended by Captain Christopher Pike who convinces Kirk to apply to Starfleet.

Kirk’s recklessness in the academy puts him at odds with the Vulcan Spock.  But when the Romulan ship reappears 25 years leader, Bones helps get Kirk on the  Enterprise and the crew must face the mad Romulan and also deal with interpersonal conflicts.

The casting of the film is interesting, as only Zachary Quinto bears any likeness too Nimoy. Yet, give Karl Urban the right haircut and let him channel DeForrest Kelley and he is uncanny in his likeness.  Really, the entire cast does so well, that I quickly found myself not paying attention to the details that said it is not the same person. This cast is… well, a lot of fun to watch. They have a real chemistry and work very well together.

I confess, I am one of those people who kind of gets annoyed when Trek has a prequel series with better tech than the original series.  I get this is mostly due to budget changes and better tech for film and television. But it always bugs me a bit to see a setting from before the original series with sleeker tri-corders. However, here? I find it pretty easy to excuse this world on the simple “history has changed” rationale.

The Enterprise here is bright and vibrant and feels wide open in a way prior television and film never really managed.

The film took some heat for being a little more Star Wars than Star Trek, and Abrams has openly stated he was always more of a Star Wars guy.  This is true of me as well.  I like Trek, but Wars was always a bit more my jam. And so, I do not really dispute the criticism, but for me it is a bit of a bonus.

The villain Nero is kind of lackluster…Eric Bana is not really given room to flap his wings. He almost feels like an afterthought.  While I enjoy seeing Nimoy return to the role of Spock, I also feel like he is being used in the film to shortcut mountains… specifically the relationship of Kirk and Spock.  Theirs is a friendship that feels deep and real because we got to spend decades with it. Here, Old Spock has to give pushes to Kirk and his younger self in the right direction. It feels a bit like a cheat.

Oh…and all the damn lens flares…

But those points aside, this was an incredibly fun new approach to characters we know and love and begin to get to know again.  It is a blast and a new start that had me very excited for the next film.

Oh foolish youth.

Vulgar Display of Power Pt 4 (the Exorcist: The Beginning, 2004)

PHOTOGRAPHS TO BE USED SOLELY FOR ADVERTISING, PROMOTION, PUBLICITY OR REVIEWS OF THIS SPECIFIC MOTION PICTURE AND TO REMAIN THE PROPERTY OF THE STUDIO. NOT FOR SALE OR REDISTRIBUTION.

Where was there to go, but back to the beginning? Father Merrin is on an archeological dig and having a crisis of faith.  He is brought into see a Christian Church where none should be. Within the church they find a sarcophagus. All this work seems to set free a demon that is controlling the local animal population (mainly hyenas) and seems intent on  reigning down destruction.

So…the movie is not really the interesting things.  See, Morgan Creek had hired Paul Schrader (screenwriter of Taxi Driver, Raging Bull and the Last Temptation of Christ) to write and direct the film. His intent was to create a intelligent psychological thriller. He was very vocal about this and when he turned in his completed film, the studio had a heart attack.  Where was all the blood and guts?!

Schrader was fired and they brought in Renny Harlan. Harlan looked at the film, claimed it was “absolute shit” and said they would need to start from scratch. The studio signed Harlan on, almost the entire film got recast (in part because most of the cast refused to come back, the main exception being Stellan Skarsgård) and a completely knew story was created. They reshot about 90% of the film.

Renny did not, in the end, provide a superior product. The film is far more obsessed with gruesome imagrey and excessive violence than any of the previous films. It lacks any of the thoughts and nuances of the issues of faith and doubt in the first and third films. Harlan seems wholly uninterested in that.

A lot of the visuals have pretty bad digital touches and there are sequences that are meant to be dramatic that are downright comical.

The Exorcist: the Beginning was received…to say the least, poorly. Harlan gave the studio what they wanted, but he is not a director you go to for the thoughtful explorations mixed with horror that you need for the series.

And so, the studio got an idea when it was time to release the film on DVD. Why not also release Schrader’s cut?  And that is how we got…

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