Rinse and Repeat (Terminator 3: Rise of the Machines, 2003)

It took nearly a decade before there was a follow-up to T2: Judgement Day. This time around, the focus is on an early 20’s John Conner. He has been living off the grid and the original date for Judgement Day came and went without incident. Conner is a journeyman, working construction jobs, believing the crisis averted and his future uncertain.

This is all changed when a T-800 appears and abducts John and a veterinarian named Kate. Another high end model, the T-X, has arrived with a larger agenda. Instead of John, the T-X is targeting all his generals.

It is revealed to John and Kate that they are, in fact destined to be husband and wife and lead the resistance together.

The big twist of the T-X is both that it is the female Terminator we see and she is liquid metal over an endoskeleton. She is able to imitate other people, but her main form is as Sexy Badass. This seems a bit odd to have the endoskeleton, because that would suggest she can only imitate people who match her height. I admit, this is probably a minor nitpick.

They try and give twists, as Arnold’s Terminator is revealed to be a Terminator that successfully killed John Conner and has been sent back by Kate. The film also reveals Sarah Conner died of cancer. It almost feels like they are trying a bit to hard to surprise the audience.

That said, honestly? I enjoy Rise of the Machines quite a bit. It does kick off the ridiculous focus on massive carnage candy set pieces…but it is a fun film…and I like that it commits to the end. Listen, they cannot successfully kill Skynet. Judgement Day has to happen for there to be a franchise at all. It is a messy film, but a lot of fun to watch.

June 23, 2020 0

Twice Upon a Terminator (Terminator 2: Judgement Day, 1991)

After the Terminator, James Cameron proved it was not a fluke with the sequel to Alien, Aliens, and the Abyss. Cameron determined his idea for a sequel to the Terminator was a technical possibility.

Picking up ten years after the first film, we find that Sarah Conner is locked up in an asylum and John Conner is now in the foster care system. John is a bit of a delinquent, using the skills his mother taught him before they were torn apart by the government.

One evening, two men appear…one a sleek killer and the other a familiar face. We find the threatening villain of the first film is now a Terminator sent back to protect John from a more advanced Terminator.

John quickly establishes some rules for his new protector when it almost kills two men who think John is in trouble and come to his rescue. Particularly, John commands the Terminator to never kill a human. These commands lead to several moments where the Terminator carefully shoots people with non-lethal precision (at one point telling John, “He’ll live”).

They break Sarah out of the asylum just as the T-1000 arrives, so there is an exciting escape sequence. As the trio run from the T-1000, Sarah picks the Terminator’s files to find out how Skynet still came to pass, and determining she must kill the man who creates Skynet.

From here on out, I will use the popular moniker T2. Cameron loves to push technical limits and this sequel is no different in that way. Expanding on the morphing tech used in the Abyss for the water tentacles and created the liquid metal T-1000. Able to form bladed weapons and imitate various people it comes in contact with. When combined with a cold inhuman performance from Robert Patrick, the T-1000 is menacing.

The T-800 is more of a quippy action hero, but it really works here. The film spends a fair amount of time building the relationship between John and his Terminator, so that by the end both John and Sarah feel a real connection to the machine, who seems to also have genuine concern for John.

The film also plays around with the premise of who is worse. Sarah becomes determined to kill Miles Dyson to prevent the creation of Skynet. When she nearly succeeds, she finds herself facing his young son begging her not to kill him, Sarah freezes, as she realizes she was being more like a Terminator than a human. The evolution of Sarah from the frightened waitress of the first film to a hardcore warrior barely holding on to her humanity is effectively done.

While the film tries to end on an open note, it really throws off the perfect loop of the first film. That criticism is made of later films and the television regarding the timeline is pretty much a problem the minute you make a sequel. Still, this is a fun and exciting flick with some solid humor and emotion. My preferred version is Cameron’s extended cut, which includes some great little touches, such as the reveal that near the end, the T-1000 is glitching. T2 is well loved because it is great at what it is trying to be. The action is intense, the drama effective and the effects pretty amazing.

June 22, 2020 0

A Wrench In Time (The Terminator, 1984)

In 1984, James Cameron was a genre vet, but not quite the guy we think of. He had no mega-hits…yet. Cameron came up out of the Corman school and made his names with technical and special effects….especially stretching the low budget effects.

His one theatrical film before the Terminator is Piranha II: the Spawning, and then his next film is…

In 1984 a mysterious massive stranger appears in a crackle of lightning in an alley. He has a singular aim and will.

Elsewhere, another man appears in an alley (less gracefully). Disoriented he asked when he is. He, like the more ominous stranger has a goal…in fact they are both here to locate Sarah Conner, a young woman of immense importance to the future.

Both men are from the future, one where there is a war between man and machine. When the machines realize they are about to lose, they send back a Terminator, a large massive robot covered in human flesh to allow them to infiltrate human encampments and kill a target. The Terminator’s target is the mother of the man who will rally humanity together to defeat the robot oppressors.

Kyle Reese has been sent back to protect young Sarah Conner from the Terminator.

The Terminator is a shockingly good second film, showing that Cameron had a real vision as he made the film. It is a sci-fi horror film that keeps everything simple. By the team it ends, we have a perfect circle of time, so it is not confusing or asking you to make any bigger stretch than accepting time travel.

Cameron is as committed to his characters as much as effects and action. Sarah is believable and sympathetic as an everyman finding herself in an impossible situation and rising to occasion. Considering the biggest ask is that we believe she falls in love with Reese overnight, and Hamilton and Biehn have enough chemistry to make it work.

Arnold Schwarzenegger had already made a mark as Conan, but this time he has a real menacing charisma that sells the notion that a massive cyborg is walking the city.

The effects remain an outstanding achievement. Sure, you can see the stop motion models and the rubber heads…but they are such well crafted effects, you do not mind and they are downright pleasing to watch.

The Terminator is a film that has withstood the test of time and such an incredibly impressive effort for someone’s second film.

June 19, 2020 0

Gotham Crumbles (Batman & Robin, 1997)

Remember how I said Schumacher hoped to make Batman Year one by giving the studio what they wanted? Well, Batman Forever was actually a hit. It made a ton of money. And guess what the studio wanted? If you said, “A gritty look at Batman’s first year”? Slap yourself. They said “Give us more toys and product placement. Which led to a seen where Batman uses his BatCredit Card.

In addition, Kilmer was the George Lazenby of the franchise. He was out…in was ER heart throb George Clooney. Clooney got the luck of putting the nails into the coffin of the original Bat-Franchise.

Batman & Robin is bloated, as it has introduced Robin and now Batgirl (who is Alfred’s niece, rather than Commissioner Gordon’s daughter). The villains are Poison Ivy and Mr. Freeze. Freeze is almost wonderfully miscast with Arnold Schwarzenegger in the role. The character has always been a thin and lanky dude. So casting a muscled action star only makes the most sense. In addition to the two villains, the film includes Bane as one of the henchmen of Poison Ivy.

Batman and Robin try and stop Freeze and Ivy who team up for reasons…even though their reasons are kind of in conflict. Alfred is sick (and Freeze may hold the cure) and Commissioner Gordon is still around because people expect to see him in a Batman movie.

Like the last film, this one contains a big deal soundtrack, part of a thing in the 90’s where soundtracks featuring bands was a sign of a cool and with it movie. Scores were for suckers in the 90’s. The soundtrack help more to date the film than make it truly memorable.

Clooney is not terrible in the role…I mean, he is clearly trying to be a good Batman. But the problem is, he is in a toy-centric movie, where his role is only as important in as much as it can sell toys to kids. O’Donnell already feels to old to be playing a whiny entitled brat…but there he is. Alicia Silverstone was a very 90’s choice. She faced a brutal and unfair onslaught of abuse over fluctuating weight that simply did not belong in coverage of the film. Uma Thurman’s Poison Ivy is okay in performance, but her hairstyles are pretty terrible. My favorite performance is actually John Glover…his Jason Woodrue is manically entertaining.

Bane is portrayed as a mindless drone under Ivy’s control. Which shows how they just treated characters a something to be cherry picked with little regard for the original visions of these characters. Visually the lush color schemes of Schumacher’s previous film.

The entire film is a crazy mess of an art department cut loose in concert with a demand for product tie-in to the point of almost beautiful obnoxiousness. It never comes together in the end…but if it does not give you a seizure? You probably got out okay.

August 23, 2016 0