It Is All In Your Head (I Feel Pretty, 2018)

I_Feel_Pretty_posterSo, remember that movie Shallow Hal? Renee Bennett is an average girl in an average life…who always always wished to be as beautiful as the models on magazines who advertise for her employer high end makeup producer Lily LeClaire. One day at a Soul Cycle Session she gets a hit to the head and awakens to find she is suddenly one of the most beautiful women she has ever seen. Perfect body and face…the hitch is…only she can see this. Completely unaware that she looks the same as before to everyone else, she proceeds to walk through her life believing she is physically a new person.

This is, of course, where most of the humor is mined. As Renee tries to convince her friends she really is still Renee, not some strange woman they have never met, her friends react totally confused recognizing the same woman they have always known.

Renee gets a lot of confused looks as she responds to advances and compliments never made. She talks about being able to eat whatever she wants and “still look like this”, believing the stunned and incredulous looks are reactions of agreement. Because she simply believes she is beautiful.

Unknown to her, this confidence has a powerful impact on the perceptions of those around her.  When she hits on Ethan believing he has made the first move, he finds himself confounded and totally taken with Renee.  And even her dream hunk, the brother of her boss, finds himself drawn to the cocky and self assured Renee.

But as she starts to succeed in ways she believes are only due to her newfound beauty, it starts to strain her friendships.  Because, when it comes down to it, Renee has bought into the notion that it is all about the exterior package. And so she starts to try and treat her friends as a product to be up-sold to other people.

The film avoids any cliched villains.  In fact their are no villains. When we are first introduced to Avery LeClaire, she seems to be a vapid elitist.  The elitist part is true, she struggles to connect with her grandmother’s desired discount product. But she turns out to have been a well educated young women who has long struggled to be taken seriously, judged on her exteriors.  Same with the beautiful young model Renee idolizes as being problem free…the film goes out of its way, in fact, to acknowledge that regardless of how you look, women are in this together.

Of course, Hollywood’s “it’s what is inside that counts” anthems are often well place but can feel a little empty.  Remember how I mentioned Shallow Hal? In that film, Hal is a guy obsessed with physical beauty. A chance encounter with a self help guru leaves Hal hypnotized so that he sees the inner beauty of a person.  So, he sees each woman he meets in an idealized light. But then, each female character Hal meets is a model later in makeup to make her look less pretty. Now, that film has it’s own positive and negative issues (typical with the early Farrelly Brothers material). But Hollywood is pretty looks obsessed. We humans favor beauty and Hollywood is more than happy to define it and feed it to us.

I Feel Pretty Tries to keep things grounded, and one of the smart things the film does is that we never actually see Renee’s idealized form. We don’t know what she is actually seeing. We see Amy Schumer the whole time.

The biggest problem the movie has is length. It just drags at times.  And most of the information in those scenes is communicated better elsewhere in the film. But largely, I enjoyed I Feel Pretty. It is largely funny, has it’s heart in the (mostly) right place and tries hard to leave it’s audience with a sense that life is a lot better if you don’t worry that your package is not good enough.

 

The Mother Daughter Bond (Snatched, 2017)

snatched_posterWhen I first saw announcements for the Amy Schumer and Goldie Hawn vehicle Snatched…I cringed.  Kidnapping for laughs is kind of a weird one.  And one that has been pretty done to death.  Kidnapping for comedy films are, of course, very divorced from the realities of the crime of kidnapping.  And some are better than others.

So, I walked into this film a bit hesitant.  I had certainly laughed at bits in trailers, and I like Hawn and Schumer.  Thankfully, for me the film worked pretty well.  A lot of the weight for this falls on Schumer and Hawn, with some terrific backup by Wanda Sykes and (an entirely silent) Joan Cusack.

Goldie has a long career in comedy and knows her trade.  This is a real benefit for Schumer since they have a nice chemistry together.  Schumer is basically playing a common character for her.  The aimless and awkward loser.  Hawn plays her over protective and cat loving mother.

Emily (Schumer) gets dumped by her boyfriend (an entertaining but brief appearance by Fresh Off the Boat’s Randall Park) and drags her mother along with her on a non-refundable trip to Ecuador.  Once there, they become tricked by a handsome stranger who delivers them to kidnappers who plan to ransom them.  What follows is Emily and her mother on the run from a vicious Ecuadorian warlord and trying to get to the nearest American Embassy.

As noted, Schumer and Hawn have a good chemistry, and the film is populated by great character actors.  The jokes often hit their target and are entertaining enough to not be distracted by a pretty conventional story about parent and child realizing how much they love each other.

Also, it was really nice watching a comedy and not getting bored because scenes went on to long.  Seriously, the most common complaint I hear people make about comedies is “Should have been a half an hour shorter.”  Snatched does not overstay it’s welcome, clocking in at a nice hour and a half.

Snatched does not break any new comedy ground, but it was a fun film with a good cast and funny jokes.

Diverting The Train

There seems to be a lot of surprise over the fact that the new vehicle from Amy Schumer and Judd Apatow, Trainwreck, totally favors monogamy.

But is this that shocking?  Should conservative and liberal critics be shocked that a Hollywood film favors monogamy over commitment to one night stands?  The liberal contingency has given more of a tired sigh over yet another Apatow film favoring “conservative mores” while Conservatives seem pleased.

Honestly, I have not issue with Apatow films favoring the idea that monogamy is good.  I will go as far as to say…I think it is silly to complain about it.  As film critic Peter Chattaway noted, at this point, should anyone be surprised that an Apatow makes a film that favors monogamy and marriage?

One might note that Amy Schumer is the screenwriter, so that surprises them.  But has there been proof that Schumer would normally oppose the message of the film (I confess, I have only seen bits of Amy’s standup and clips from her show which have been “uncomfortably” hilarious)?  And really, based on the previews?  Did people really think the film was going to favor the lead *not* falling in love?

I would actually suggest that Hollywood has rarely gone against monogamy.  Most films about relationships end with the relationship succeeding.  The main set of films in the American Pie franchise all tend to favor committed relationships, mining more casual sexual encounters for laughs.

Trainwreck sets it up in the previews…Amy’s drunken dad (Colin Quinn) teaches her that monogamy is a sham, them she meets a guy (Bill Hader) who challenges her notions of relationships…where do we really think that is going?

I have not seen the film yet, but I think being shocked that it favors relationships and monogamy over sleeping around is…naive.

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