Shine Harder (Doctor Sleep, 2019)

Doctor_Sleep_PosterI have not read Doctor Sleep, the follow up to King’s the Shining.  So, when it was announced as a film, I was not particularly excited.  I did not know how they planned to approach it.  As a sequel to the Kubrick film? As an adaption of the book?

It turns out? A little of both.  But does it work?

The film opens in 1980, where we are introduced to Rose the Hat.  She leads a cult that devours “the Steam” of psychic children, keeping the cult young and giving them power.

Danny has grown into a man trying to drown his his power and guilt in drugs and alcohol. Having locked the ghosts of the Overlook away over the years, through training from Dick Hallorann. After he winds up in a small town, he meets Billy Freeman.  We also meet young Abra Stone, a powerful young girl of immense ability. As the years pass, Dan Torrance has found himself taking a role in a hospice as an orderly, but also the bringer of comfort to the dying. His “shine” allows him to help the dying overcome their fear. Abra is strong enough that she begins to communicate with the sober Dan.

This power also brings her to the attention of  Rose and her cult.  And so Dan finds himself working to protect Abra and stop the cult.

So, does it work? Yes.  Very well.  Flanagan manages to weave the source materials together so that this feels like a relative of the Kubrick movie.  He infuses iconic visual moments in a way that is not merely copying another’s work.

The performances are really good, selling the more fantastic elements.  It is a lot of fun getting to see the possibility of the powers of the “shining” that are hinted at previously.  The main cult members are pretty intriguing, and really, the film ends with a hope that makes it a nice companion piece to the Shining.

Flanagan is proving himself a trusted horror director and Doctor Sleep is a great addition to what I hope is a long and fruitful career.

Ambition, the Blackest of Human Desires (Starry Eyes, 2015)

Starry Eyes is the story of Sarah (Alex Essoe), an aspiring actress.  One day she answers a casting call for a film.  What follows is a bizarre tale of the lengths people will go to succeed.

starry_posterAs she is called back for repeatedly stranger auditions, she starts to unravel ever so slightly.  But when she is asked to meet the Producer (Louis Dezseran) her life is forever changed.  Telling her to kill her old life, one questions if this is metaphor or a true command.

Starry Eyes is  dark exploration of human ambition.  Has Sarah truly sold her soul?  Are her actions real?  Are the dreams her own, or communication from a darker source?

Visually, it is both stunning and horrifying.  The make up showing Sarah’s degeneration is simple, but frightful.  Her transformation has the appearances of disease.  The film is very gruesome once Sarah’s ambitions kick in.  Those who are a bit squeamish should be prepared.

Alex Essoe’s performance as Sarah stands out.  Both in emotional performance and physicality, she does extremely well.  It is a performance that effectively moves from sympathetic to creepy.

The co-directors (and writers) Kevin Kolsch and Dennis Widmeyer have crafted an effective and dark psychological tale, but not for the faint of heart.   But if you like your films dark and bleak, this is definitely in your corner.

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