It Is All In Your Head (I Feel Pretty, 2018)

I_Feel_Pretty_posterSo, remember that movie Shallow Hal? Renee Bennett is an average girl in an average life…who always always wished to be as beautiful as the models on magazines who advertise for her employer high end makeup producer Lily LeClaire. One day at a Soul Cycle Session she gets a hit to the head and awakens to find she is suddenly one of the most beautiful women she has ever seen. Perfect body and face…the hitch is…only she can see this. Completely unaware that she looks the same as before to everyone else, she proceeds to walk through her life believing she is physically a new person.

This is, of course, where most of the humor is mined. As Renee tries to convince her friends she really is still Renee, not some strange woman they have never met, her friends react totally confused recognizing the same woman they have always known.

Renee gets a lot of confused looks as she responds to advances and compliments never made. She talks about being able to eat whatever she wants and “still look like this”, believing the stunned and incredulous looks are reactions of agreement. Because she simply believes she is beautiful.

Unknown to her, this confidence has a powerful impact on the perceptions of those around her.  When she hits on Ethan believing he has made the first move, he finds himself confounded and totally taken with Renee.  And even her dream hunk, the brother of her boss, finds himself drawn to the cocky and self assured Renee.

But as she starts to succeed in ways she believes are only due to her newfound beauty, it starts to strain her friendships.  Because, when it comes down to it, Renee has bought into the notion that it is all about the exterior package. And so she starts to try and treat her friends as a product to be up-sold to other people.

The film avoids any cliched villains.  In fact their are no villains. When we are first introduced to Avery LeClaire, she seems to be a vapid elitist.  The elitist part is true, she struggles to connect with her grandmother’s desired discount product. But she turns out to have been a well educated young women who has long struggled to be taken seriously, judged on her exteriors.  Same with the beautiful young model Renee idolizes as being problem free…the film goes out of its way, in fact, to acknowledge that regardless of how you look, women are in this together.

Of course, Hollywood’s “it’s what is inside that counts” anthems are often well place but can feel a little empty.  Remember how I mentioned Shallow Hal? In that film, Hal is a guy obsessed with physical beauty. A chance encounter with a self help guru leaves Hal hypnotized so that he sees the inner beauty of a person.  So, he sees each woman he meets in an idealized light. But then, each female character Hal meets is a model later in makeup to make her look less pretty. Now, that film has it’s own positive and negative issues (typical with the early Farrelly Brothers material). But Hollywood is pretty looks obsessed. We humans favor beauty and Hollywood is more than happy to define it and feed it to us.

I Feel Pretty Tries to keep things grounded, and one of the smart things the film does is that we never actually see Renee’s idealized form. We don’t know what she is actually seeing. We see Amy Schumer the whole time.

The biggest problem the movie has is length. It just drags at times.  And most of the information in those scenes is communicated better elsewhere in the film. But largely, I enjoyed I Feel Pretty. It is largely funny, has it’s heart in the (mostly) right place and tries hard to leave it’s audience with a sense that life is a lot better if you don’t worry that your package is not good enough.

 

Love Is Illness (The Big Sick, 2017)

Big_Sick_PosterThe Big Sick is a fictionalized account of the beginning of the relationship of comedian Kumail Nanjiani and his wife, writer/producer Emily V. Gordon.  Kumail plays himself while Zoe Kazan takes on the fictional version of Emily.

Kumail grew up in Pakistan and his family wants him to marry a nice young Muslim Pakistani woman.  He is not really sure what he wants or even believes.  But he humors his mothers attempts at introducing him to women, tossing their pictures into a cigar box.  And when he meets Emily, they initially agree that there will be no relationship beyond their first night.  It is clear Kumail would like to continue the relationship, only declaring he is not looking for a commitment after Emily states she does not have room for a relationship right now.

But they are terrible at not dating and their relationship grows.  As they get closer, Emily wants to introduce him to her parents.  When she discovers he has never told his parents about her, the relationship hits a huge roadblock.  Here is the thing…Emily’s anger is totally justified.  And yet, it is hard not to understand Kumail’s reasoning.  He knows he risks losing his family over Emily.  The film is very careful about this.  The family is not portrayed as villains in this regard.  And that is a pretty tricky feat when your family is “standing in the way of love”.  But I felt for his parents, especially as they are shut out from a lot of Kumail’s life.  But early on it is established that one of his cousins was shunned by the family.

So, after they break up, Kumail tries to get on with his life.  But one night he gets a call from Emily’s roommate.  Emily is in the hospital and nobody is able to stay with her.  She is less than pleased to see him, but when she is put into a coma, Kumail finds himself being drawn deeper into her life.

In a standard rom com, Emily would wake up and be super touched and they run off together.  The Big Sick does not do this.  After all, when she went into her coma, she still was angry.  At one point, Emily tells Kumail that it great he had this awaking…but she was unconscious that whole time.

The Big Sick straddles that line of emotional drama and comedy better than some.  And there are scenes that ripped my heart out.  Kumail gets a call right as he is about to take the stage…and bombs in a fiercely awkward way.  He stumbles through his jokes before giving into sorrow and the sense of powerlessness in the situation.  I can tell you this, knowing something terrible has happened with someone you love and being stuck in your job?  It is mind numbing.

The scenes between Kumail, Holly Hunter and Ray Romano (as Emily’s parents) are very good.  They all connect and grow.  There is one scene, when Hunter and Romano have gone to watch Kumail’s standup (much to his chagrin).  At this point, her mother still does not trust him.  She resents how he hurt her daughter.  But when a frat boy starts heckling Kumail (in a most racist fashion), you see a new perspective growing within Hunter.  She is ferocious in this scene.

Kumail and Emily make for a good writing team here, finding both humor in their experiences as well as raw emotion.

Big_Sick_Kumail_Emily
Kumail Nanjiani and Emily V. Gordon

Maybe the film just connected with me in a way that I find it way better than it is.  But I found the film both fun and heart wrenching.

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