Oh Fuuuuuuuuuuuuudge (A Christmas Story, 1983)

A_Christmas_Story_PosterIn 1983, filmmaker Bob Clark adapted the book In God We Trust: All Others Pay Cash by Jean Shepherd.  The book was actually a compilation of columns Shepherd had written for Playboy.  Clark and Shepherd used the various stories to build the tale of Ralphie, a boy who dreams of getting the ultimate gift.  A Red Ryder BB Gun.

The film has a truly timeless feel.  I think many of us have had dads who cursed up a storm when frustrated, mothers who tried to smooth it all over, bullies who made our lives miserable.  If you grew up in a place where winter meant cold and snow?  That tongue stuck to a flag pole is a little to close for comfort.

The cast is enjoyable, all mining laughs no matter the size of the role.  The kids are fun and likable, the parents have there own quirks and lovable qualities.

I suspect most anyone reading this is familiar with the film, as much like It’s a Wonderful Life it has gotten regular airplay every Christmas for decades.

The film is warm, hilarious and deserving of it’s status.  If you have not seen it? Find an opportunity to sit down and watch.

Christmas Darkness (Black Christmas, 1974)

black_christmasHalloween is often cited as the father of the slasher genre.  But three years prior was Bob Clark’s Black Christmas.  If you are wondering why the name Bob Clark might sound familiar, there is a reason.  For about a decade, for 24 hours every Christmas, TNT aired back to back showings of Clark’s “A Christmas Story”.  Yeah, that guy who brought us a beloved holiday classic also gave us another, lesser known (but no less classic) holiday film.

Black Christmas is a little bit different in tone, of course.  It is set on Christmas Eve at a sorority house.  As the women engage in festivities, their house is plagued by an obscene caller who speaks in guttural cries.

The film is mainly focused on Jess (Olivia Hussey) who is pregnant, and set on having an abortion.  Her boyfriend, Peter (Keir Dullea), is dead set against it.  There is also a hunt for a young missing girl, and the first girl to die.  But nobody is sure if the sorority girls are running off or truly missing.

We the audience, of course, no better.  The killer is in the house, but what is his motive?  Why this house?  It is a mystery that the film never chooses to answer.  “Billy” has no origin story.  He just shows up and terrorizes the girls.  And it is an effective and unnerving choice.

Black Christmas is well acted, with great visuals.  Rather than focus on gore, it is focused on mood.  And it is powerful.  The film’s final shot as the credits begin to roll are chilling.  There is no music as the camera pulls away from the house.  Just a lone ringing telephone…

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