Holy Land Hell (Jeruzalem, 2015)

Found Footage films always feel like an attempt to make a movie on the cheap with a hope for big returns. Ghosts are common because they are easy to fake. Sometimes you can strike gold…but frankly, a lot of times you have a forgettable film with wide hollow eyed ghosts in asylums.

This film tries to be something a bit different. At times it reminded me of Cloverfield, but with a religious bent. the film opens with footage and voiceover referring to three gates from hell and one that was discovered. There are glimpses of winged demonic looking creatures being detained by the military.

The film then jumps to two friends planning a trip to visit Isreal. On the plain they meet a handsome archeologist and decide to follow him to Jerusalem. But what they expect to be a fun party time suddenly is shook when the military starts flooding the city and bombing areas. They find themselves locked in the city and along with others seek to avoid the the monsters that seem to be infesting the city and get outside the city walls through tunnels.

The winged demons attack people and then those people start to exhibit behavior not unlike a zombie. It is a race against time to survive.

Like a lot of found footage, the film struggles to justify keeping the camera running. The film has decent looking monsters, even if the early stage is just “black eyes”. But I did find myself curious to get a better idea of the creatures and their motives. There were glimpses of large creature that the Israeli military is firing on, but we never really find out the nature of that.

The film never devolves into a preachy, God’s Not Dead take on religion and really plays up the mystery of the even. Even at the end it is left unclear what brought this all on.

As I noted, the film struggles to justify the main character constantly filming and honestly, they start adding “battle damage” to the picture which is meant to give more realism (hey the lens is cracked!)… but honestly is become kind of annoying.

This is a pretty middle ground found footage film. It will not leave you frustrated…but it is not likely to be one you are talking about long after watching it.

October 2, 2020 0

Becoming the Bad Guy (Falling Down, 1993)

Falling Down opens with the intensely shot claustrophobic sequence of Michael Douglas stuck in traffic. Full of uncomfortable close ups and an auditory assault, the opening sequence puts you centrally in the experience of a man we only know by his license plate… D-Fens. Having enough, this man just gets out of his car and walks away.

It is pretty clear he is on the edge, and desires to get to his Ex-Wife’s home to see his daughter on her birthday. He starts to run into minor irritations, such as feeling like he is being charged too much for soda or a homeless man asking for money a bit too aggressively. But as things escalate, he angers a local gang. He eventually starts building up a collection of weapons as he carves out a path of “righteous indignation” through the city.

While the authorities do not connect the dots, Detective Prendergast starts to see that these apparently random events are tied to the same guy.

Falling Down was controversial upon release, as it does, on the surface, feed the white grievance attitudes that seemed to have driven some of the workplace shootings that occurred at the time before the film was released. And the ads kind of pushed that narrative. In his first interaction, D-Fens is racist, but it is that racism that we still hear today. He mistakes the ethnicity of the Korean store owner and then rants about immigrants. This is over being charged 85 cents for a can of soda. And when he demands breakfast after the fast food place has stopped serving breakfast, it feels like we are expected to understand his perspective as right.

That said, the film ultimately sides on the belief that D-Fens is, indeed, the villain of the film. In spite of the muddled middle, it is clear he has been in a dangerous state for some time. D-Fens asks Prendergast how he became the bad guy. In a lot of ways, this feels like a stinging indictment of people today. People who spew hate and support cruel ideas are shocked to find out that people do not see them as reasonable good guys anymore. They seem desperate as they see themselves losing power…and do not understand how the life that used to be affirmed is no longer the status quo.

Even though there are some moments that seem to skirt to close to the line of validating the character D-Fens, Falling Down is still a compelling character study. And again, the opening ten or so minutes is cinematic gold. While Schumacher took a lot of heat, Falling Down is a film that proves he had a unique cinematic eye and deserves to be remembered as a respected director.

July 1, 2020 1

A War This Time (Terminator: Salvation, 2009)

Six years later, the studio wanted to try and reboot the franchise. The biggest twist of the film this time around? No time travel. The beginning of a planned trilogy set during the war, Christian Bale takes over the role of John Conner.

The film focuses upon Marcus, who awakens in the middle of the war and starts trying to figure out what is going on. He ends up on the run with Kyle Reese and young mute girl Star. When they run into other survivors, they come under attack by the machines who kidnap Star and Kyle. Marcus ends up seeking the help of John Conner, believing they need to work together to save and the others from Skynet.

Truthfully, the film has mostly decent effects and it is full of very talented actors…but I never feel really drawn into the story. It tries to surprise us, but the set-up at the beginning telegraphs to much…?

The visual effects are very good (though a CGI Arnold is pretty rubbery looking) and there are a lot of exciting action scenes. But we get a lot of “machine perspective” shots, which in the previous films gave us insight into the Terminators…but it just feels performative here, because who cares what the random flying machine or motorcycle perspective is.

This is not a terrible film, but it is more a sci-fi war movie that happens to have terminator machines in it than a Terminator movie. And to be honest, I never found myself wishing for a huge focus on the war itself, feeling that it works better as a background part of the story.

June 24, 2020 0

Rinse and Repeat (Terminator 3: Rise of the Machines, 2003)

It took nearly a decade before there was a follow-up to T2: Judgement Day. This time around, the focus is on an early 20’s John Conner. He has been living off the grid and the original date for Judgement Day came and went without incident. Conner is a journeyman, working construction jobs, believing the crisis averted and his future uncertain.

This is all changed when a T-800 appears and abducts John and a veterinarian named Kate. Another high end model, the T-X, has arrived with a larger agenda. Instead of John, the T-X is targeting all his generals.

It is revealed to John and Kate that they are, in fact destined to be husband and wife and lead the resistance together.

The big twist of the T-X is both that it is the female Terminator we see and she is liquid metal over an endoskeleton. She is able to imitate other people, but her main form is as Sexy Badass. This seems a bit odd to have the endoskeleton, because that would suggest she can only imitate people who match her height. I admit, this is probably a minor nitpick.

They try and give twists, as Arnold’s Terminator is revealed to be a Terminator that successfully killed John Conner and has been sent back by Kate. The film also reveals Sarah Conner died of cancer. It almost feels like they are trying a bit to hard to surprise the audience.

That said, honestly? I enjoy Rise of the Machines quite a bit. It does kick off the ridiculous focus on massive carnage candy set pieces…but it is a fun film…and I like that it commits to the end. Listen, they cannot successfully kill Skynet. Judgement Day has to happen for there to be a franchise at all. It is a messy film, but a lot of fun to watch.

June 23, 2020 0

Twice Upon a Terminator (Terminator 2: Judgement Day, 1991)

After the Terminator, James Cameron proved it was not a fluke with the sequel to Alien, Aliens, and the Abyss. Cameron determined his idea for a sequel to the Terminator was a technical possibility.

Picking up ten years after the first film, we find that Sarah Conner is locked up in an asylum and John Conner is now in the foster care system. John is a bit of a delinquent, using the skills his mother taught him before they were torn apart by the government.

One evening, two men appear…one a sleek killer and the other a familiar face. We find the threatening villain of the first film is now a Terminator sent back to protect John from a more advanced Terminator.

John quickly establishes some rules for his new protector when it almost kills two men who think John is in trouble and come to his rescue. Particularly, John commands the Terminator to never kill a human. These commands lead to several moments where the Terminator carefully shoots people with non-lethal precision (at one point telling John, “He’ll live”).

They break Sarah out of the asylum just as the T-1000 arrives, so there is an exciting escape sequence. As the trio run from the T-1000, Sarah picks the Terminator’s files to find out how Skynet still came to pass, and determining she must kill the man who creates Skynet.

From here on out, I will use the popular moniker T2. Cameron loves to push technical limits and this sequel is no different in that way. Expanding on the morphing tech used in the Abyss for the water tentacles and created the liquid metal T-1000. Able to form bladed weapons and imitate various people it comes in contact with. When combined with a cold inhuman performance from Robert Patrick, the T-1000 is menacing.

The T-800 is more of a quippy action hero, but it really works here. The film spends a fair amount of time building the relationship between John and his Terminator, so that by the end both John and Sarah feel a real connection to the machine, who seems to also have genuine concern for John.

The film also plays around with the premise of who is worse. Sarah becomes determined to kill Miles Dyson to prevent the creation of Skynet. When she nearly succeeds, she finds herself facing his young son begging her not to kill him, Sarah freezes, as she realizes she was being more like a Terminator than a human. The evolution of Sarah from the frightened waitress of the first film to a hardcore warrior barely holding on to her humanity is effectively done.

While the film tries to end on an open note, it really throws off the perfect loop of the first film. That criticism is made of later films and the television regarding the timeline is pretty much a problem the minute you make a sequel. Still, this is a fun and exciting flick with some solid humor and emotion. My preferred version is Cameron’s extended cut, which includes some great little touches, such as the reveal that near the end, the T-1000 is glitching. T2 is well loved because it is great at what it is trying to be. The action is intense, the drama effective and the effects pretty amazing.

June 22, 2020 0

A Wrench In Time (The Terminator, 1984)

In 1984, James Cameron was a genre vet, but not quite the guy we think of. He had no mega-hits…yet. Cameron came up out of the Corman school and made his names with technical and special effects….especially stretching the low budget effects.

His one theatrical film before the Terminator is Piranha II: the Spawning, and then his next film is…

In 1984 a mysterious massive stranger appears in a crackle of lightning in an alley. He has a singular aim and will.

Elsewhere, another man appears in an alley (less gracefully). Disoriented he asked when he is. He, like the more ominous stranger has a goal…in fact they are both here to locate Sarah Conner, a young woman of immense importance to the future.

Both men are from the future, one where there is a war between man and machine. When the machines realize they are about to lose, they send back a Terminator, a large massive robot covered in human flesh to allow them to infiltrate human encampments and kill a target. The Terminator’s target is the mother of the man who will rally humanity together to defeat the robot oppressors.

Kyle Reese has been sent back to protect young Sarah Conner from the Terminator.

The Terminator is a shockingly good second film, showing that Cameron had a real vision as he made the film. It is a sci-fi horror film that keeps everything simple. By the team it ends, we have a perfect circle of time, so it is not confusing or asking you to make any bigger stretch than accepting time travel.

Cameron is as committed to his characters as much as effects and action. Sarah is believable and sympathetic as an everyman finding herself in an impossible situation and rising to occasion. Considering the biggest ask is that we believe she falls in love with Reese overnight, and Hamilton and Biehn have enough chemistry to make it work.

Arnold Schwarzenegger had already made a mark as Conan, but this time he has a real menacing charisma that sells the notion that a massive cyborg is walking the city.

The effects remain an outstanding achievement. Sure, you can see the stop motion models and the rubber heads…but they are such well crafted effects, you do not mind and they are downright pleasing to watch.

The Terminator is a film that has withstood the test of time and such an incredibly impressive effort for someone’s second film.

June 19, 2020 0

Boldly Going Pt 13 (Star Trek Beyond, 2016)

After Into Darkness, Trek lost Abrams to Wars. Simon Pegg stepped up as a screenwriter with Doug Jung to try and get the Kelvin timeline back on track. The studio also decided to try out an action director, Justin Lin, who had success with the Fast and the Furious franchise.

I have already reviewed this, and one of my early criticisms was that the film is a bit slow going at the open. But after repeat viewings, I found that I really am not sure what I would do to speed things up.

After a fun little bit that sets up the film’s macguffin, the film focuses on where the characters are at. They pick up about half way through their five year mission, which finds Kirk feeling lost and unsure. In a clever bit of dialog, he comments that their mission has begun to feel “episodic”. Spock receives word of the passing of his future self (as Nimoy had passed away by this point) and questions whether he should stay with Starfleet or focus on the survival of the Vulcan race.

But after a mysterious pilot arrives at the space station where the Enterprise is docked, the Enterprise and her crew head to help the pilot’s disabled ship on the other side of a nebula. After they are attacked and the Enterprise is destroyed (the second time in this timeline!) Kirk and the team find themselves trapped on a planet with aggressive aliens bent on getting the piece of a weapon that the Enterprise had.

Beyond is pretty much a 180 degree turn from Into Darkness. It is fun, Elba plays a solid villain with a twist. Sophia Boutella is a highly entertaining character named Jaylah who is befriended by Scotty and Kirk. There is some solid character stuff with McCoy and Spock.

This is an action packed film that I find myself enjoying more each time I watch it. It makes me wish a follow-up in the Kelvin timeline were a lock instead of so uncertain. Of the timeline, I have really enjoyed two of the films, so I am definitely open to more.

June 18, 2020 0

Going Boldly Pt 12 (Star Trek Into Darkness, 2013)

After a pretty successful first outing, the whole team came back. So, my hopes were riding high for another exciting Star Trek film.

But early on I saw a danger sign. They were basically doing a Man of Steel. It was clear that they were going to use Khan. The film makers denied this aggressively, especially after Benicio Del Toro left and was replaced by Benedict Cumberbatch.

When the film begins, it starts out okay, I guess…I mean, they still have not started their five year mission yet, and I have no idea why this could not have been set within that…but Kirk and crew save a primitive civilization from extinction and this gets Kirk demoted. But when a terrorist named John Harrison attacks Star Fleet headquarters killing Captain Pike, the Enterprise crew is sent to kill Harrison on the command of Admiral Marcus.

When they find Harrison, Kirk gives into his conscience and takes Harrison Prisoner. As they speak with him, they discover is is actually leader of a genetic super community. His advanced intellect is being used by dark areas of the Federation called Section 31…this knowledge puts the Enterprise in danger and they must work with Khan.

Clearly, Abrams, Orci and Kurtzman thought using Khan would excite fans, after all, we all loved Wrath of Khan, right?

Except, Khan and his vengeance had tremendous weight because Kirk and Khan had a history dating back to the original series. This creates a tension that this film cannot recreate, quite simply because they do not know who Khan is. In fact, they have to reach out to Old Spock to have him give the rundown, because Khan is not even famous historically here.

They also try and flip the Wrath of Khan’s ending by having Kirk Sacrifice himself and send Spock to capture Khan. Except, when Spock gave his life in the Wrath of Khan, it hit the viewer. We were losing a friend for the good of the many. And here? Kirk is barely dead two minutes and we find out they can resurrect him…and they do…we never get to feel worry or loss for Kirk…he was never in danger.

This film is just lacking the emotional resonance that it is attempting to duplicate. It is an empty and uninspired adventure.

June 17, 2020 0

Boldly Going Pt 11 (Star Trek, 2009)

It is often not really a great sign when a franchise seems to go dormant. After the struggle at the box office with Nemesis and a large amount of negative fan reaction, Paramount’s Star Trek team started trying to figure out new ideas, most which put the Next Generation Crew out to pasture.

Eventually, they opted to focus more on the Television side while they tried to crack a new approach. And then they reached out to J.J. Abrams. He and his team came up with an idea… what if we went back to the beginning? What if we go back and meet the Enterprise crew all over again? Captain Kirk? Mr. Spock?

This seemed like a risky proposition…the original cast was tied to those characters and the idea of bringing new actors in to give the crew new life and adventures had a huge chance of going wrong.

Abrams chose to go back to the start of the series…but with a twist. On the day James T Kirk is born, his father sacrifices himself as a Romulan ship appears from a black hole. In the original series, Kirk grew up with his father…and with this change Kirk grows into a rebellious and responsibility avoiding lout. But one night in a bar, he meets Cadet Urhura- and ends up in a fight with several of her fellow cadets. The fight is ended by Captain Christopher Pike who convinces Kirk to apply to Starfleet.

Kirk’s recklessness in the academy puts him at odds with the Vulcan Spock. But when the Romulan ship reappears 25 years leader, Bones helps get Kirk on the Enterprise and the crew must face the mad Romulan and also deal with interpersonal conflicts.

The casting of the film is interesting, as only Zachary Quinto bears any likeness too Nimoy. Yet, give Karl Urban the right haircut and let him channel DeForrest Kelley and he is uncanny in his likeness. Really, the entire cast does so well, that I quickly found myself not paying attention to the details that said it is not the same person. This cast is… well, a lot of fun to watch. They have a real chemistry and work very well together.

I confess, I am one of those people who kind of gets annoyed when Trek has a prequel series with better tech than the original series. I get this is mostly due to budget changes and better tech for film and television. But it always bugs me a bit to see a setting from before the original series with sleeker tri-corders. However, here? I find it pretty easy to excuse this world on the simple “history has changed” rationale.

The Enterprise here is bright and vibrant and feels wide open in a way prior television and film never really managed.

The film took some heat for being a little more Star Wars than Star Trek, and Abrams has openly stated he was always more of a Star Wars guy. This is true of me as well. I like Trek, but Wars was always a bit more my jam. And so, I do not really dispute the criticism, but for me it is a bit of a bonus.

The villain Nero is kind of lackluster…Eric Bana is not really given room to flap his wings. He almost feels like an afterthought. While I enjoy seeing Nimoy return to the role of Spock, I also feel like he is being used in the film to shortcut mountains… specifically the relationship of Kirk and Spock. Theirs is a friendship that feels deep and real because we got to spend decades with it. Here, Old Spock has to give pushes to Kirk and his younger self in the right direction. It feels a bit like a cheat.

Oh…and all the damn lens flares…

But those points aside, this was an incredibly fun new approach to characters we know and love and begin to get to know again. It is a blast and a new start that had me very excited for the next film.

Oh foolish youth.

June 16, 2020 0

Boldly Going Pt 10 (Star Trek: Nemesis, 2002)

So, after the disappointing returns the studio brought in the director of Executive Decision, Stuart Baird, and John Logan, the screen writer of the Time Machine.

The Romulans are in turmoil and during a high level meeting of their government, there is an assassination of the council. Shinzon is installed as their leader.

Picard and the Enterprise are lured to a remote planet by a unique signal that is emitted by androids like Data. They discover the pieces of an Android named B-4. Once assembled they try and determine how he got to the planet and his purpose. It turns out that he has a connection to Shinzon.

When he meets with Picard, it is revealed that he is actually a clone of Picard from an abandoned secret Romulan project. Shinzon is deteriorating and needs the genetics of Picard to stop it.

To be honest? This is the film that nearly killed the franchise. It is a dreary and dark mess. The characters do not feel like themselves and the attempts at epic game changers just do not feel like they were at all committed. Data’s self sacrifice would probably feel more heavy hearted if there was not already an onscreen replacement. When Troi is literally mind raped, she requests to step down and Picard refuses to allow it, asking her to endure more.

Even scenes that feel like they should be exciting adventures are just lifeless.

Nemesis is a disappointing slog. True story, I tried to watch this film five different times in the years since it came out and fell asleep until the fifth time. I recently watched it again. I did manage to stay awake, but boy was it not a good time.

June 15, 2020 0