Size Reduction (Little, 2019)

At thirteen, Jordan Sanders is a smart kid who hopes to fit in, but finds life in school to be one of constant humiliation and bullying. Her parents promise her that when she grows up, things will be different, for she is brilliant and those are the people that “become the boss.”

The film jumps to Jordan in her late 30’s. Her life is one where she is in charge. She is bold, featured in magazines and has a highly successful business. She also treats people abusively, often using them. This is especially true of her assistant April. She has no respect for April’s hopes and dreams or ideas for the business. April is however, also incredibly lacking in confidence, whether it is the desire to advance in her career or get a date…April will try and then back off quickly.

The same day that Jordan is informed by her biggest client he is leaving her for a new company unless she can win him over with a pitch, Jordan pushes around a little girl. The girl tells her she wishes Jordan was little. The next morning, Jordan wakes to find herself in her thirteen year old body. April makes a deal to pretend to be Jordan’s Aunt and to keep the the pitch moving forward to try and avoid losing their client.

What follows is April and Jordan trying to navigate their sudden change in world, April as the boss and Jordan having to go to school. Jordan tries hard to keep her “I’m the boss” attitude, but quickly finds herself pushed to the margins. Meanwhile, her employees start to find life under April much more pleasant.

The film is really busy, as they try and cover a lot of ground as Director/writer Tina Gordon and screenwriter Tracy Oliver (of the entertaining and raunchy Girl’s Trip) pack in a lot of plot points with the jokes. And this kind of interferes with the pacing. That is not to say it is not funny. I laughed plenty…and the film actually sidesteps a certain problem that Big did not avoid. This is largely due to the fact with the reversal, Jordan becoming a thirteen year old, these situational problems are very self evident. You cannot have adult men being turned on. Thankfully, the men of the film avoid being sleazy. When young Jordan shoots a look at her teacher, he is instantly grossed out. When Jordan’s boy toy (who aspired to be more) mistakes Jordan as the daughter she never told him about, he sets out to convince her that he has the best of intentions for her mom. Some of the dialog gets clunky, but when he tries to give a fatherly hug she forgets her age and he instantly stops her more comfortable snuggle.

The boyfriend storyline seems forgotten at the end though and as the storylines all tie up, we never really seem to know how she explains she never had a daughter.

But the highlights of the movie Little, in my book, are Issa Rae and Marsai Martin. Issa Rae just has never really let me down. Her comedic delivery is just solid and pretty much always delivers. Martin has long been one of my favorite actors on Black’ish. And her years as the darkly mature Diane work here where she channels Regina Hall’s dominance as young Jordan.

Little is not a genre breaking classic. But for the majority of the film, I had a fine time watching it. Rae and Martin connected well and there are some good laughs in the film.

June 26, 2020 0

Growth Spurt (Big, 1988)

Starting 1984, Hollywood gave us about two Tom Hanks films a year through 1990. Some more memorable than others, but Hanks proved himself a pretty reliable comedy actor. Hanks has always come across as a nice guy in Hollywood and thus endeared himself to the audience.

1988’s Big is the story of thirteen year old Josh. A shorter kid, after a humiliating night at the Carnival where he is too short to get on a ride with a girl he likes, he stumbles upon the Zoltar Speaks “game”. The machine grants him his wish…to be big.

Josh wakes the next morning to find he is an adult. His mother reacts poorly and Josh goes on the run. As the story goes on, Josh gets the help of his best friend as they try and relocate Zoltar, only to find out it could take weeks to get the information they need.

This leads to Josh taking a job in data entry at a toy company…but he quickly climbs the ranks when a chance meeting with the head of the company who is impressed with Josh’s understanding of toys. This is one of the things that makes the film a lot of fun. Everyone mistakes Josh’s youthful innocence as brilliance and even a real man. He finds himself in a growing relationship with co-worker Susan. His complete naiveté over cut throat business practices and male pissing matches convinces Susan Josh is just mature and above it all. Initially the relationship is not all that troubling. She has no reason to think he is thirteen and a thirteen year old in a grown up body…and it is pretty funny when she suggests staying over at his place and this leads to an incredibly wholesome night of playing games and the two sleeping in bunk beds.

I am not sure who thought it was a good idea to actually have the two have sex…it is not Revenge of the Nerds territory…but it is just to close to the line of being gross. This is largely in how they write themselves into a corner when Josh confesses his big secret to her. It then feels a bit like an adult grooming a teen.

I think one of the really nice story points is how Josh becomes pretty enamored with grown-up life. He starts to ignore the goals of returning to his old life…only realizing that he is missing so much away from his friends and family.

Hanks is the glue that holds this all together. He is remarkably charming and really sells the “kid” in a grown up body better than almost anyone before or since.

Big is still a pretty charming and fun film thirty some years later.

June 25, 2020 0

A War This Time (Terminator: Salvation, 2009)

Six years later, the studio wanted to try and reboot the franchise. The biggest twist of the film this time around? No time travel. The beginning of a planned trilogy set during the war, Christian Bale takes over the role of John Conner.

The film focuses upon Marcus, who awakens in the middle of the war and starts trying to figure out what is going on. He ends up on the run with Kyle Reese and young mute girl Star. When they run into other survivors, they come under attack by the machines who kidnap Star and Kyle. Marcus ends up seeking the help of John Conner, believing they need to work together to save and the others from Skynet.

Truthfully, the film has mostly decent effects and it is full of very talented actors…but I never feel really drawn into the story. It tries to surprise us, but the set-up at the beginning telegraphs to much…?

The visual effects are very good (though a CGI Arnold is pretty rubbery looking) and there are a lot of exciting action scenes. But we get a lot of “machine perspective” shots, which in the previous films gave us insight into the Terminators…but it just feels performative here, because who cares what the random flying machine or motorcycle perspective is.

This is not a terrible film, but it is more a sci-fi war movie that happens to have terminator machines in it than a Terminator movie. And to be honest, I never found myself wishing for a huge focus on the war itself, feeling that it works better as a background part of the story.

June 24, 2020 0

Rinse and Repeat (Terminator 3: Rise of the Machines, 2003)

It took nearly a decade before there was a follow-up to T2: Judgement Day. This time around, the focus is on an early 20’s John Conner. He has been living off the grid and the original date for Judgement Day came and went without incident. Conner is a journeyman, working construction jobs, believing the crisis averted and his future uncertain.

This is all changed when a T-800 appears and abducts John and a veterinarian named Kate. Another high end model, the T-X, has arrived with a larger agenda. Instead of John, the T-X is targeting all his generals.

It is revealed to John and Kate that they are, in fact destined to be husband and wife and lead the resistance together.

The big twist of the T-X is both that it is the female Terminator we see and she is liquid metal over an endoskeleton. She is able to imitate other people, but her main form is as Sexy Badass. This seems a bit odd to have the endoskeleton, because that would suggest she can only imitate people who match her height. I admit, this is probably a minor nitpick.

They try and give twists, as Arnold’s Terminator is revealed to be a Terminator that successfully killed John Conner and has been sent back by Kate. The film also reveals Sarah Conner died of cancer. It almost feels like they are trying a bit to hard to surprise the audience.

That said, honestly? I enjoy Rise of the Machines quite a bit. It does kick off the ridiculous focus on massive carnage candy set pieces…but it is a fun film…and I like that it commits to the end. Listen, they cannot successfully kill Skynet. Judgement Day has to happen for there to be a franchise at all. It is a messy film, but a lot of fun to watch.

June 23, 2020 0

Twice Upon a Terminator (Terminator 2: Judgement Day, 1991)

After the Terminator, James Cameron proved it was not a fluke with the sequel to Alien, Aliens, and the Abyss. Cameron determined his idea for a sequel to the Terminator was a technical possibility.

Picking up ten years after the first film, we find that Sarah Conner is locked up in an asylum and John Conner is now in the foster care system. John is a bit of a delinquent, using the skills his mother taught him before they were torn apart by the government.

One evening, two men appear…one a sleek killer and the other a familiar face. We find the threatening villain of the first film is now a Terminator sent back to protect John from a more advanced Terminator.

John quickly establishes some rules for his new protector when it almost kills two men who think John is in trouble and come to his rescue. Particularly, John commands the Terminator to never kill a human. These commands lead to several moments where the Terminator carefully shoots people with non-lethal precision (at one point telling John, “He’ll live”).

They break Sarah out of the asylum just as the T-1000 arrives, so there is an exciting escape sequence. As the trio run from the T-1000, Sarah picks the Terminator’s files to find out how Skynet still came to pass, and determining she must kill the man who creates Skynet.

From here on out, I will use the popular moniker T2. Cameron loves to push technical limits and this sequel is no different in that way. Expanding on the morphing tech used in the Abyss for the water tentacles and created the liquid metal T-1000. Able to form bladed weapons and imitate various people it comes in contact with. When combined with a cold inhuman performance from Robert Patrick, the T-1000 is menacing.

The T-800 is more of a quippy action hero, but it really works here. The film spends a fair amount of time building the relationship between John and his Terminator, so that by the end both John and Sarah feel a real connection to the machine, who seems to also have genuine concern for John.

The film also plays around with the premise of who is worse. Sarah becomes determined to kill Miles Dyson to prevent the creation of Skynet. When she nearly succeeds, she finds herself facing his young son begging her not to kill him, Sarah freezes, as she realizes she was being more like a Terminator than a human. The evolution of Sarah from the frightened waitress of the first film to a hardcore warrior barely holding on to her humanity is effectively done.

While the film tries to end on an open note, it really throws off the perfect loop of the first film. That criticism is made of later films and the television regarding the timeline is pretty much a problem the minute you make a sequel. Still, this is a fun and exciting flick with some solid humor and emotion. My preferred version is Cameron’s extended cut, which includes some great little touches, such as the reveal that near the end, the T-1000 is glitching. T2 is well loved because it is great at what it is trying to be. The action is intense, the drama effective and the effects pretty amazing.

June 22, 2020 0

A Wrench In Time (The Terminator, 1984)

In 1984, James Cameron was a genre vet, but not quite the guy we think of. He had no mega-hits…yet. Cameron came up out of the Corman school and made his names with technical and special effects….especially stretching the low budget effects.

His one theatrical film before the Terminator is Piranha II: the Spawning, and then his next film is…

In 1984 a mysterious massive stranger appears in a crackle of lightning in an alley. He has a singular aim and will.

Elsewhere, another man appears in an alley (less gracefully). Disoriented he asked when he is. He, like the more ominous stranger has a goal…in fact they are both here to locate Sarah Conner, a young woman of immense importance to the future.

Both men are from the future, one where there is a war between man and machine. When the machines realize they are about to lose, they send back a Terminator, a large massive robot covered in human flesh to allow them to infiltrate human encampments and kill a target. The Terminator’s target is the mother of the man who will rally humanity together to defeat the robot oppressors.

Kyle Reese has been sent back to protect young Sarah Conner from the Terminator.

The Terminator is a shockingly good second film, showing that Cameron had a real vision as he made the film. It is a sci-fi horror film that keeps everything simple. By the team it ends, we have a perfect circle of time, so it is not confusing or asking you to make any bigger stretch than accepting time travel.

Cameron is as committed to his characters as much as effects and action. Sarah is believable and sympathetic as an everyman finding herself in an impossible situation and rising to occasion. Considering the biggest ask is that we believe she falls in love with Reese overnight, and Hamilton and Biehn have enough chemistry to make it work.

Arnold Schwarzenegger had already made a mark as Conan, but this time he has a real menacing charisma that sells the notion that a massive cyborg is walking the city.

The effects remain an outstanding achievement. Sure, you can see the stop motion models and the rubber heads…but they are such well crafted effects, you do not mind and they are downright pleasing to watch.

The Terminator is a film that has withstood the test of time and such an incredibly impressive effort for someone’s second film.

June 19, 2020 0

Boldly Going Pt 13 (Star Trek Beyond, 2016)

After Into Darkness, Trek lost Abrams to Wars. Simon Pegg stepped up as a screenwriter with Doug Jung to try and get the Kelvin timeline back on track. The studio also decided to try out an action director, Justin Lin, who had success with the Fast and the Furious franchise.

I have already reviewed this, and one of my early criticisms was that the film is a bit slow going at the open. But after repeat viewings, I found that I really am not sure what I would do to speed things up.

After a fun little bit that sets up the film’s macguffin, the film focuses on where the characters are at. They pick up about half way through their five year mission, which finds Kirk feeling lost and unsure. In a clever bit of dialog, he comments that their mission has begun to feel “episodic”. Spock receives word of the passing of his future self (as Nimoy had passed away by this point) and questions whether he should stay with Starfleet or focus on the survival of the Vulcan race.

But after a mysterious pilot arrives at the space station where the Enterprise is docked, the Enterprise and her crew head to help the pilot’s disabled ship on the other side of a nebula. After they are attacked and the Enterprise is destroyed (the second time in this timeline!) Kirk and the team find themselves trapped on a planet with aggressive aliens bent on getting the piece of a weapon that the Enterprise had.

Beyond is pretty much a 180 degree turn from Into Darkness. It is fun, Elba plays a solid villain with a twist. Sophia Boutella is a highly entertaining character named Jaylah who is befriended by Scotty and Kirk. There is some solid character stuff with McCoy and Spock.

This is an action packed film that I find myself enjoying more each time I watch it. It makes me wish a follow-up in the Kelvin timeline were a lock instead of so uncertain. Of the timeline, I have really enjoyed two of the films, so I am definitely open to more.

June 18, 2020 0

Going Boldly Pt 12 (Star Trek Into Darkness, 2013)

After a pretty successful first outing, the whole team came back. So, my hopes were riding high for another exciting Star Trek film.

But early on I saw a danger sign. They were basically doing a Man of Steel. It was clear that they were going to use Khan. The film makers denied this aggressively, especially after Benicio Del Toro left and was replaced by Benedict Cumberbatch.

When the film begins, it starts out okay, I guess…I mean, they still have not started their five year mission yet, and I have no idea why this could not have been set within that…but Kirk and crew save a primitive civilization from extinction and this gets Kirk demoted. But when a terrorist named John Harrison attacks Star Fleet headquarters killing Captain Pike, the Enterprise crew is sent to kill Harrison on the command of Admiral Marcus.

When they find Harrison, Kirk gives into his conscience and takes Harrison Prisoner. As they speak with him, they discover is is actually leader of a genetic super community. His advanced intellect is being used by dark areas of the Federation called Section 31…this knowledge puts the Enterprise in danger and they must work with Khan.

Clearly, Abrams, Orci and Kurtzman thought using Khan would excite fans, after all, we all loved Wrath of Khan, right?

Except, Khan and his vengeance had tremendous weight because Kirk and Khan had a history dating back to the original series. This creates a tension that this film cannot recreate, quite simply because they do not know who Khan is. In fact, they have to reach out to Old Spock to have him give the rundown, because Khan is not even famous historically here.

They also try and flip the Wrath of Khan’s ending by having Kirk Sacrifice himself and send Spock to capture Khan. Except, when Spock gave his life in the Wrath of Khan, it hit the viewer. We were losing a friend for the good of the many. And here? Kirk is barely dead two minutes and we find out they can resurrect him…and they do…we never get to feel worry or loss for Kirk…he was never in danger.

This film is just lacking the emotional resonance that it is attempting to duplicate. It is an empty and uninspired adventure.

June 17, 2020 0

Boldly Going Pt 11 (Star Trek, 2009)

It is often not really a great sign when a franchise seems to go dormant. After the struggle at the box office with Nemesis and a large amount of negative fan reaction, Paramount’s Star Trek team started trying to figure out new ideas, most which put the Next Generation Crew out to pasture.

Eventually, they opted to focus more on the Television side while they tried to crack a new approach. And then they reached out to J.J. Abrams. He and his team came up with an idea… what if we went back to the beginning? What if we go back and meet the Enterprise crew all over again? Captain Kirk? Mr. Spock?

This seemed like a risky proposition…the original cast was tied to those characters and the idea of bringing new actors in to give the crew new life and adventures had a huge chance of going wrong.

Abrams chose to go back to the start of the series…but with a twist. On the day James T Kirk is born, his father sacrifices himself as a Romulan ship appears from a black hole. In the original series, Kirk grew up with his father…and with this change Kirk grows into a rebellious and responsibility avoiding lout. But one night in a bar, he meets Cadet Urhura- and ends up in a fight with several of her fellow cadets. The fight is ended by Captain Christopher Pike who convinces Kirk to apply to Starfleet.

Kirk’s recklessness in the academy puts him at odds with the Vulcan Spock. But when the Romulan ship reappears 25 years leader, Bones helps get Kirk on the Enterprise and the crew must face the mad Romulan and also deal with interpersonal conflicts.

The casting of the film is interesting, as only Zachary Quinto bears any likeness too Nimoy. Yet, give Karl Urban the right haircut and let him channel DeForrest Kelley and he is uncanny in his likeness. Really, the entire cast does so well, that I quickly found myself not paying attention to the details that said it is not the same person. This cast is… well, a lot of fun to watch. They have a real chemistry and work very well together.

I confess, I am one of those people who kind of gets annoyed when Trek has a prequel series with better tech than the original series. I get this is mostly due to budget changes and better tech for film and television. But it always bugs me a bit to see a setting from before the original series with sleeker tri-corders. However, here? I find it pretty easy to excuse this world on the simple “history has changed” rationale.

The Enterprise here is bright and vibrant and feels wide open in a way prior television and film never really managed.

The film took some heat for being a little more Star Wars than Star Trek, and Abrams has openly stated he was always more of a Star Wars guy. This is true of me as well. I like Trek, but Wars was always a bit more my jam. And so, I do not really dispute the criticism, but for me it is a bit of a bonus.

The villain Nero is kind of lackluster…Eric Bana is not really given room to flap his wings. He almost feels like an afterthought. While I enjoy seeing Nimoy return to the role of Spock, I also feel like he is being used in the film to shortcut mountains… specifically the relationship of Kirk and Spock. Theirs is a friendship that feels deep and real because we got to spend decades with it. Here, Old Spock has to give pushes to Kirk and his younger self in the right direction. It feels a bit like a cheat.

Oh…and all the damn lens flares…

But those points aside, this was an incredibly fun new approach to characters we know and love and begin to get to know again. It is a blast and a new start that had me very excited for the next film.

Oh foolish youth.

June 16, 2020 0

Boldly Going Pt 10 (Star Trek: Nemesis, 2002)

So, after the disappointing returns the studio brought in the director of Executive Decision, Stuart Baird, and John Logan, the screen writer of the Time Machine.

The Romulans are in turmoil and during a high level meeting of their government, there is an assassination of the council. Shinzon is installed as their leader.

Picard and the Enterprise are lured to a remote planet by a unique signal that is emitted by androids like Data. They discover the pieces of an Android named B-4. Once assembled they try and determine how he got to the planet and his purpose. It turns out that he has a connection to Shinzon.

When he meets with Picard, it is revealed that he is actually a clone of Picard from an abandoned secret Romulan project. Shinzon is deteriorating and needs the genetics of Picard to stop it.

To be honest? This is the film that nearly killed the franchise. It is a dreary and dark mess. The characters do not feel like themselves and the attempts at epic game changers just do not feel like they were at all committed. Data’s self sacrifice would probably feel more heavy hearted if there was not already an onscreen replacement. When Troi is literally mind raped, she requests to step down and Picard refuses to allow it, asking her to endure more.

Even scenes that feel like they should be exciting adventures are just lifeless.

Nemesis is a disappointing slog. True story, I tried to watch this film five different times in the years since it came out and fell asleep until the fifth time. I recently watched it again. I did manage to stay awake, but boy was it not a good time.

June 15, 2020 0