Bombshells (Atomic Blonde, 2017)

Based on the graphic novel the Coldest City is a spy thriller set days before the fall of the Berlin Wall. Lorraine Broughton is a highly skilled British spy on a mission to collect a dossier that could expose countless deep undercover spies. The problem is, determining who she can trust. Her contact in East Berlin, David Percival, has “gone native” in the punk scene. He is working to get a Russian nicknamed Spyglass to freedom in exchange for the information.

Told in a flashback format, we have Lorraine presenting her story to her MI6 boss and a CIA Representative (John Goodman). The film gives you a warning of the fight ahead of Lorraine by introducing us to her after her mission is over…she is severely bruised and covered in cuts. And this is an important thing to understand…

The promotional material would have you think this is just a kick ass action hero type of film. There have been comparisons to James Bond, but this is a very surface comparison. Atomic Blonde is far grittier and the action much more brutal. This is an action packed espionage film, not an action movie.

This is not a criticism of the film, it is quite a good espionage film with plenty of uncertainty as to how certain aspects will play out. Theron’s Broughton is tough and blunt, refusing to quit. Along with the cast, the film’s 80’s soundtrack is very much a character in this film. Chase and fight sequences are set to the likes of Bowie, New Order and Siouxsie & the Banshees with great effectiveness.

Atomic Blonde is a strong and dark thriller full of twists and turns.

August 4, 2017 0

I Hate Mondays Chapter 2 (John Wick Chapter 2, 2017)

When we last left John Wick…he was still working to get his car back. And after a very crazy and intense fight to do so, he heads home. He buries his weapons, planning to quietly slip back into retirement. But instead, his actions have come to the attention of Santino D’Antonio, to whom Wick owes a favor…and seeing how John left retirement, he is determined to cash it in.

John refuses and Santino handles it badly. A visit to Winston lets John know he has to honor the debt…but after the debt? John is in the clear to get back at Santino. And so John goes off to Italy to complete the mission…and…well, let’s just say his day goes from bad to severely life threatening.

John Wick Chapter 2 picks right up and never lets up. Even the quiet moments feel like they are a build up to something intense. As hit men rain down on Wick, he is constantly on guard. Every corner reveals a new threat. This gets amusing, such as one scene where Wick and Cassian (played by rapper and actor Common) are walking through a train station, from a distance trying to shoot each other (but carefully missing the people around them).

Many of the hit men are brief roles, yet the film gives them each unique and personal styles suggesting a backstory (we will never get). Director Chad Stahelski returns with the second installment and it pays off. John Wick Chapter 2 takes the best parts of the first film and amplifies them.

As before, the action is extremely well choreographed and the story kept very tight. Rather than start to give the film to much more background, as sequels are prone to do, it follows the rule of “Keep It Simple”. This really works in Chapter 2’s favor.

And finally, the film is clearly set for a Chapter 3…and the final moments of Chapter 2 hint that it will be quite a thrill ride.

August 3, 2017 0

I Hate Mondays Chapter 1 (John Wick, 2014)

John Wick is having a bad day. A really bad one. This is the gist of the film. John Wick is mourning the death of his wife. He is gassing up his car one day when some punks express interest his car. That night, they break in, assault John, hurt his dog and steal his car.

One little thing…John Wick is a notorious hitman. He is the boogeyman hitmen tell each other about. Wick had retired, but now he has a mission. That mission is to get his car back…but that means a whole lot of people are going to meet untimely ends.

John Wick is an action film with no aspirations to be anything else. Wick is a very simple character in a post-Taken world. He has a very special skill set and connections to a very dangerous community. This works in the film’s favor, as it makes it pretty easy to go along with the outlandish action sequences.

I have long argued that the key to a good Keanu Reeve performance is a character who might be smart, but is generally clueless about the plot. And admit it…most of his most memorable performances involve kind of clueless characters.

Not John Wick. Wick knows who he is, what he wants and how to do it. And it is pretty exciting to see him do it. The fights are tightly choreographed and eye catching. Reeves maintains a strong presence considering the fact that there is not much to the character. This is a lean action film full of characters with no real complexity. Each character has a specific role and they play it well. The film does not give you a lot of background to many characters…instead it allows the actors to bring a certain amount of their own presence. Ian McShane gives the “Overlord” Winston instant gravitas, while Lance Reddick’s Charon carries a real weight of quiet authority.

This is director Chad Stahelski’s directorial debut. He was primarily a stunt coordinator/choreographer who has done some assistant director work…but for a debut film, Stahelski does a pretty solid job. Probably the biggest knock against the film is the choice to view the entire film through a blue tint, which can get annoying at times.

John Wick is a strong debut for a first time director and a good start to what has become a franchise.

August 2, 2017 0

Speed Racers Pt 8 (The Fate of the Furious, 2017)

If prizes were awarded for the most inconsistently named franchise? Pretty sure this franchise would own that. If George Lucas was involved, they would all get renamed something like Dom Toretto and the Fast and The Furious (Who care if Vin is in every film or not).

By this time, our heroes have gone from criminals to underdogs to helping the authorities. But after saving the world last time around, Dom has apparently switched sides and is helping Charlize Theron take on the world. She is an evil hacker with big plans…and so Mr. Nobody calls in The Fast and Furious team and a surprise guest…the last film’s villain (Jason Statham). Has Dom truly gone bad? Is he really turning his back on his family?

This is the first film in the franchise not directed by Justin Lin, and it definitely loses some of that cohesiveness. It feels less like a continuation and more like a flat out sequel from the…uh…sequel factory. F. Gary Gray is a strong director and has some definite “action/Car movie” cred with the 2003 remake of the Italian Job. But the story itself feels like it was conceived months after the last film was released and worked to fit their latest idea together. The previous films felt more “organic” with Lin at the helm.

I cannot pinpoint exactly why this is, as the guy who wrote this film (Chris Morgan) wrote every film since Tokyo Drift. Maybe Gray connects with the characters differently. But one thing that stands out is that there is a big plot point that comes pretty much out of nowhere as Dom’s motivations. There is no point in a prior film to see it coming. It feels purely invented for the film, like a last minute idea to solve a problem they were having.

Fate is certainly not lacking for action, though they may finally be hitting that point where it is hard to top the big set piece of the previous film. The massive race across the ice and attempts to outrun a massive submarine feel more like they cobbled together ideas from the previous film, so instead of giving us an impressive and new sequence it highlights cooler moments of past films.

While Fate of the Furious is not terrible (and not by the standards of the franchise itself, it has its moments), it does feel like the franchise is finding it harder and harder to sustain itself.

August 1, 2017 0